Wednesday
17Feb2010

Figuring out what your clients value

Our phone has been ringing off the hook the past few weeks with wedding inquiries. 2010 is shaping up to be such an incredible year for weddings, and that is exciting news as the economy shifts. But, of course we get a lot of calls with the question "can you send me a price list"?

We haven't had a price list in years and there are a lot of reasons why. First off, in a phone call, we simply don't know what the client's value. Our number one goal is to make sure each of our couples gets the best value we can offer them for their individual wedding. Doing that requires a meeting or in depth conversation about what the client's expectations are, and what challenges are ahead. It is also impossible for a client to see print quality online and compare the real product. As photographers, we all know that the difference between a fiber based hand printed black and white photograph created by a print master and a C print are instantly and remarkably different in person. So, if you are REALLY good at what you do, a menu based pricing strategy is bad for you and even worse for the client shopping for fine photography.

Secondly, menu shopping, and only looking at how many prints in an album for what cost, assumes that each photographer or company is created equal. Does the bride and groom want 100 prints that they can't stand to look at, or 20 that radiate class, charm, and elegance? Personally I feel that one world class wedding image is worth a thousand words. Yet, the menu can't relate that "more doesn't equal more happiness." I think most any couple would rather be emotionally drawn every time they look at an image rather than aggravated every time they look at 100 they don't like. So, finding the balance between visual integrity and number of photographs is the way to find the best value.

While all weddings are beautiful, we all know that some require 4 or 5 photographers, and others require just one. Some need a photographer of distinction due to location and lighting, some just need a photographer with a good eye and strong ability to use natural light. There are weddings in which the client wants the most creatively lit portraits ever, to compliment photojournalism, and others that want just raw PJ, which are two totally different talents that only a few ever master. So determining who, or how many photographers is another very important aspect, that a menu pricing system can't relay.

Thirdly to get the best value there are other things to consider Our services aren't canned, which makes it impossible to distinguish what the client expects or needs to have their wedding photographed to it's full potential. Fact is, an experienced photographer can shoot circles around a photographer that has just a few years or less experience and come away with more photographs that have greater visual appeal. An Apprentice with 5 years of first hand experience with an industry leader would no doubt outperform somebody with no direction or mentor.

Fourth and last, we have learned that some couples are all about the details. We have several couples per year that are specific about their album and how designer the cover should be. There is nothing we can't provide, but custom designer products take research time and hand crafted embellishments from gifted artists. Other couples are happy with just plain black or brown leather. Again, a menu never shows what a true artist can offer because true art and artistic products are original.

So here we are. What to do, when somebody asks for a menu price list? Truth is, we realize we miss some weddings because we don't just throw out random prices. But, my father always said, "you can't protect people from themselves." This statement is what I think about when a client calls and just refuses to come in due to the fact that we custom quote and don't send out menus. Our studio has all the work we could possibly handle because we care and work towards providing a value based product and service.

If a potential client truly cares about their wedding memories, their photography, and their experience, they will pay us a visit or work with us to make sure they are getting what they need to have it done to our standards. Sometimes in business and art, you just have to pass. Having success in life and business isn't about the numbers to us. Success as an artist means working with others who value what you do as a craftsman or woman. 

Everything we do is in the best interest of our clients photographs and experience. Some take the time and can see that. Others never will. But our studio photographs weddings from all walks of life. Some weekends we photograph very small intimate weddings, and others we are flying to Europe for a gala with 500 guests. You can't always be all things to all people, but one thing remains, we are honored to work as an artist with every single couple who hires us and meeting or exceeding our clients expectations is always the goal from start to finish.

Monday
01Feb2010

Apple's iPad

So, it looks like we are all about to enter a new era in mobile communication. The introduction of Apple's iPad is really the first device of it's style that made me think long and hard about this particular style of new age device. With all the press and hype over it, I still wasn't sure about the impact it could have, but I am becoming more and more convinced that this is something truly unique and here is why.

First I recently read an article about how GQ magazine sold 12,000 copies of it's iPhone Edition last month. The iPad, using the same technology as the iPhone, would offer magazines a new way of sharing their articles and much much more. This could prove to be the "new magazine based" business model. With so many magazines cutting jobs and closing doors, one can only dream that this could take over and take the "unprinted" magazine to new heights. Combine that effort with a new wave of storytelling through the use of Still Motion Camera such as the Canon 1D Mark IV or new Red Scarlett, yet to debut, and dreams of new jobs opportunities start to appear in the eyes of this commercial photographer / cinematographer.

But, now it's even got thinking about how wedding couples enjoy and share their wedding photographs and videos. Imagine taking your wedding video with you in full HD, or your wedding album for that matter with the ability to flip the virtual pages. This not only becomes dramatically personal for the couple, but also an on the go sales tool for freelance photographers and film makers as well.

Now lets take a gander at iTunes. As our company enters 2010 with our first independent feature film captured on Still Motion Cameras under out belt, scene on the iPad photograph here, and we start to dream about new ways to share our films with the public. Just the thought that content creators, like ourselves, can make independent movies available for download opens up new ways of sharing art with the world around us. Bye bye Hollywood. Hello art films that have meaningful stories.

I am not sure how fast or well this technology will take off, but my best guess is that it is going to roar once people get a grasp of just how personal these devices can be. I know we plan to be on the forefront of it if for no other reason than to have these options available for our clients the day of release.

Wednesday
20Jan2010

Our first indie film Caribbean Style...

 

Well, we returned today from 10 days of filming our first independent film. We spent 10 days on a sailboat, catamaran to be exact, and visited some of the most stunning locations in the Caribbean to shoot scenes. Our family has a lot of history with sailing. I grew up sailing with my dad and he started these amazing adventures with the family bare boating. Today, this tradition of escaping to remote locations lives on years after his unfortunate death and battle with Cancer.

As you can see, I am still learning from my father who taught us all through actions more than words or criticisms of our choices. Most of all, I credit my dad with our ability to leap even when there isn't a net and to tackle our thoughts and dreams proactively regardless of what others tell us is impossible.

So, here we are. Wedding and portrait photographers creating an independent film with no idea what will come of it and regardless of what critics will have to say about it. This week has also been met with a lot of reflection about what it means to be a film maker or photographer. At the heart of what we have always been, we are storytellers. Over the past 20 years, give or take, we have told countless stories through the lens. Now, we are adding motion and being proactive thinkers as well as reacting to the ebb and flow of what comes our way.

We've come to the conclusion that we don't just want to make films that are simply entertaining. We want to create films that draw awareness to subjects, and that make people think. We want to tell the untold stories, and we want to use our filmmaking side of our creative energy to make a difference.

Our first real indie film is about love, loss, and the impact that a person can make in your life regardless of how long you know them. It was an idea that kept coming back to me for months as we pondered ideas for a film. I don't want to say it is in honor of my father because everything we do is in honor of our parents in one way, shape, or form. But his life, courage, and death was no doubt a big part of the inspiration for this personal project. As I said, some people just keep teaching you long after they are gone. I am extremely excited to work with our family and team to see this project to completion.

This has been an intense 10 day lesson on just how challenging it is to create a film and we have a new found respect for those that try. We knew that most film makers avoid the water, especially sailing because it is far to demanding. So we figured we would try the hardest thing we could think of first. What made this really challenging is that the weather forced us to evolve and change the script on the fly. We had plenty of sun, but then hit heavy rains and large seas on days where the script counted most. Literally in every scene we hit a road block and had to rethink the mission. Our team was pushed to the hilt emotionally and physically at times, but each time somebody felt like quitting, others pushed to bring morale up. On the other hand, we also had blessings unfold, like rainbows, in moments that a script never could have dreamed the shear beauty before our eyes.

The Canon cameras made this project come alive in ways we could have never dreamed. The size of the systems allows us to mount cameras on the boat in so many ways that it opened our eyes to the fact that Hollywood style film making really has a new friend that can capture scenes and moments in ways that have never been done before. Not to mention that we counted on the durability of these cameras and they pulled through time after time.

I took on the role of Director of Photography / supporting actor, and Jennifer was the main character in the plot. Maring family / Cinematographers Derrick Watson and Jason Watson handled filming the majority of the scenes. Michelle Maring monitored sound, while Patricia Maring was in charge of keeping the script on track. We felt that in our first film we wanted to learn more about acting. Jennifer has a lot of stage acting and choreography experience while I literally have none. But we knew that taking on these roles personally would make us stronger and better on future films. We also had deep seated feelings for the emotion in this film since we have scouted and filmed this location for 6 years as still photographers.

Looking back on the day of the last scene to be filmed in the Caribbean we all felt a huge sense of accomplishment. This week made us better photographers and better cinematographers. Personal projects always seem to be the ones that make you grow the most. Now, the edit begins along with several other scenes which need to be filmed to close this chapter out. Looking forward to sharing over the next 4-6 months what we find and learn.

Tuesday
05Jan2010

1D Mark IV Arrives today

Click Here to see it in HD

Well, the long anticipated production model of the Canon 1D Mark IV will be here today, and so I thought it might be nice to post one more 2 minute short film showcasing the quality of Canon's new flagship still / cinema camera. This little piece was filmed on the beach in Connecticut just after sunrise. It was a cold morning, but the sun warmed us up enough to take the frost off the ground.

Most of our portrait sessions these days seem to be moving towards digital cinema. We can't wait for the day that 4k digital cinema will be available, hopefully in a Canon body, so that we can simply capture moving pictures that can be edited into films, or printed as large as we wish. It is no doubt coming and the future. But for now, we are just thrilled that this is even possible.

Our next project will be our biggest cinema / still commercial project we have ever taken on. It is a personally funded project that will take us about a month to wrap up filming and several months to wrap up editing. We'll post more on that as footage becomes available.

For now, we hope you enjoy this quick short film as much as we did capturing this beautiful footage of a family just enjoying this amazing morning.

Wednesday
23Dec2009

5D in OC + Updates

Click Here to See it in HD

We are making several updates and changes to the blog over the next few weeks and are on a mission to get new images and connections made on both our website and our blog. The fall, for successful Northeast based wedding photographers, is very demanding. Every year for about 3 months, we work extremely long hours and usually 7 day work weeks to make sure we meet our commitments to our clients for the holidays, and this year was no different. So, we are starting to get focused now on laying the foundation for 2010 and working on sharing all the new work we created over the summer and fall.

So what is new on the blog? Well, so far, we have added a side bar of trusted resources for engaged couples in the New England and New York areas. And, we've added photography industry links in other sections that relate to photographers and cinematographers as well. Behind the scenes we are working on adding some galleries of images for weddings, portraits, and personal work as well. The PhotoBlog will also be updated with new weddings, portraits, and personal work that we were in the thick of creating the 3rd and 4th quarter of 2009.

With that said, we are pulling down the Digital Cinema section on the blog and just mixing it in to our Experts Blog section. This is the area that is our soap box to the photography industry where we share tips, news, ideas, concerns, industry news, and an occasional opinion on hot topics. So, as the Digital Cinema section closes, there are a couple of videos we wanted to keep up and this is one of them...

When the 5D Mark II debuted last year we were on assignment for Disney World in Los Angeles and Jennifer and I took a few personal days after the shoot to relax and do a little surfing in Huntington Beach. It was our first opportunity to capture video with the system and this was the result. Most of the footage was captured on a tripod with a 14mm 2.8, with some closeup footage captured with the 50mm 1.2, and the long shots with the 70-200 2.8IS. This shoot made me dream of having a 600mm, but truth is I would have very few occasions to lug that around. So, stay tuned as we continue to focus on adding new content and making some fresh changes...